Normal u.s.a. is a lot different than Mike's The Norm work, which is part of
the fun of reading it. We get to see the same imagination at play, but from
a younger and different angle. The art style is different, the feel of the
writing is different, the lettering is different, the characters are
different, even the signature is different (I'm taking Mike at his word that
he is, in fact, the author of both). But Mike's clear strength remains
constant: his uncanny grasp of the human experience and what makes it funny.
To be sure, this is not a perfect work. There's a Bloom County influence
that's a touch too strong at times, and some of the exaggerated behavior
might have worked better if it were less so. But there's a humanity to
these characters (even the non-human ones) that is genuine and touching and
not a common find in the funnies by a cartoonist of any age. The
insecurities and idiosyncrasies of Norman and Lynne's relationship are
explored wonderfully and at times uniquely, and I'm glad I had a chance to
get to know them. And A.C. And Max.
Continued